Thursday 17 January 2019
5.45 – 6.30 pm
Beatrice Gibson discusses her new exhibition and work with film scholar and critic Erika Balsom.
Free, but booking is essential.
Erika Balsom is a senior lecturer in Film Studies and Liberal Arts at King’s College London. Her book After Uniqueness: A History of Film and Video Art in Circulation, was published by Columbia University Press in 2017. She is the author of Exhibiting Cinema in Contemporary Art (2013), the co-editor of Documentary Across Disciplines (2016), and a frequent contributor to magazines such as Artforum, frieze, and Sight and Sound. Her scholarly work has appeared in journals including Cinema Journal, Screen, and Grey Room, and she has contributed to exhibition catalogues for artists including Sarah Sze, Candice Breitz, and Rachel Rose. In 2017, she was the international curator in residence at the Govett-Brewster Art Gallery/Len Lye Centre, New Zealand, resulting in the 2018 screening programme and publication An Oceanic Feeling: Cinema and the Sea. In 2018, she was awarded a Leverhulme Prize and the Katherine Singer Kovacs essay award from the Society for Cinema and Media Studies.
Beatrice Gibson (b.1978) is an artist and filmmaker based in London. Her films are often improvised in nature, exploring the pull between chaos and control in the process of their own making. Drawing on figures from experimental modernist composition and literature - such as Cornelius Cardew, Robert Ashley and William Gaddis – Gibson’s films are often participatory, incorporating cocreative and collaborative processes and ideas. Gibson is twice winner of The Tiger Award for best short film at the Rotterdam International Film Festival and winner of the 2015 Baloise Art Prize, Art Basel. In 2013 she was nominated for both the Jarman Award for Artists Film and The Max Mara Whitechapel Prize for Women artists. Gibson's films are distributed by LUX, London and Argos, Brussels. She is represented by Laura Bartlett Gallery.